Relevant Bibliographies

The Use of Space Syntax in Architecture

Exhibition Strategies and Techniques

Environmental Behavior

Architectural Theory of Design

Museum Studies

Statistical and Spatial Analysis Methodologies

Museum Buildings

Museum Collections


The Use of Space Syntax in Architecture:

  • Bafna, Sonit. 2003. Space Syntax, a Brief Introduction to Its Logic and Analytical Techniques. Environment and Behavior 35 (1):17-29.
  • Batty, M. 2001. Exploring isovist fields: space and shape in architectural and urban morphology. Environment and Planning B: Planning and Design 28 (1):123-150.
  • Bednar, Michael J. 1986. The New Atrium. New York: McGraw-Hill Book Company.
  • Benedikt, Michael. 1979. To take the hold of space: isovists and isovist fields. Environment and Planning B: Planning an Design 6:47-55.
  • Berger, John. 1972. Ways of seeing. London, UK.: British Broadcasting Corporation; Harmondsworth, Penguin.
  • Choi, Y. K. 1991. The spatial structure of exploration and encounter in museum layouts. Ph.D thesis, Georgia Institute of Technology Atlanta, GA.
  • ------. 1999. The morphology of exploration and encounter in museum layouts. Environment and Planning B: Planning and Design 26 (2):251-264.
  • Dalton, Ruth Conroy 2001. Omnivista: An Application for Isovist Field and Path Analysis. In 3rd International Space Syntax Symposium. Atlanta, GA.
  • Penn, Alan, Maximo Martinez, and Maia Lemlij. 2007. Structure, Agency and Space in the Emergence of Organisational Culture. Paper read at 6th International Space Syntax Symposium, at Istanbul.
  • Peponis, John, Ruth Conroy Dalton, Jean Wineman, and Nick Dalton. 2003. Path, theme and narrative in open plan exhibition settings. In 4th International Space Syntax Symposium. London, U.K.
  • ------. 2004. Measuring the effects of layout upon visitors' spatial behaviors in open-plan exhibition settings. Environment and Planning B: Planning and Design 31 (3):453-473.
  • Peponis, John, Jean Wineman, Mahmud Rashid, Sonit Bafna, and S. H. Kim. 1998. Describing plan configuration according to co-visibility of surfaces. Environment and Planning B: Planning and Design 25 (5):693-708.
  • ------. 1998. On the generation of linear representations of spatial configuration. Environment and Planning B: Planning and Design 25 (4):559-576.
  • Peponis, John, Jean Wineman, Mahmud Rashid, S. H. Kim, and Sonit Bafna. 1997. On the description of shape and spatial configuration inside buildings: convex partitions and their local properties. Environment and Planning B: Planning and Design 24 (5):761-781.
  • Psarra Sophia. 2003. Top-down and bottom-up characterizations of shape and space. In 4th International Space Syntax Symposium. London, U.K. .
  • ------. 2005. Spatial Culture, Way-finding and the Educational Message: the impact of layout on the spatial, social and educational experienced of visitors to museums and galleries. In Reshaping Museum Space: architecture, design, exhibitions, edited by S. Macleod. New York: Routledge.
  • Psarra, Sophia, and Tadeusz Grajewski. 2000. Architecture, narrative and promenade in Benson+Forsyth's Museum of Scotland. ARQ: Architectural Research Quarterly 4 (2):123-136.
  • ------. 2001. Describing Shape and Shape Complexity Using Local Properties. In 3rd International Space Syntax Symposium. Atlanta, GA.
  • Psarra, Sophia, Jean Wineman, Ying Xu, and Ipek Kaynar. 2007. Tracing the Modern - the Museum of Modern Art in New York and its Latest Expansion. In 6th International Space Syntax Symposium. Istanbul, Turkey.
  • Stavroulaki, Gianna, and John Peponis. 2003. The spatial construction of seeing Castelveccio. Paper read at 4th International Space Syntax Symposium, at University College London (UCL).
  • ------. 2005. Seen in a different light. Icons in Byzantine museums and churches. In 5th International Space Syntax Symposium. Delft, the Netherlands.
  • Tzortzi, Kali. 2003. An Approach of the Microstructure of the Gallery Space: The Case of the Sainsbury Wing. In 4th International Space Syntax Symposium. London, U.K.
  • ------. 2004. Building and exhibition layout: Sainsbury wing compared with Castelvecchio. ARQ: Architectural Research Quarterly 8 (2):128-140.
  • ------. 2005. Kroller-Muller vs Louisiana: alternative explorations of museum experience. Paper read at 5th International Space Syntax Symposium, at Delft, the Netherlands.
  • ------. 2007. Museum Building Design and Exhibition Layout: patterns of interaction. In 6th International Space Syntax Symposium. Istanbul, Turkey.
  • Zamani, Pegah, and John Peponis. 2007. Radical Discontinuity or Variations of a Theme?: recent history of the High Museum of Art. In 6th International Space Syntax Symposium. Istanbul, Turkey.

up to Top


Exhibition Strategies and Techniques:

  • Brawne, Michael. 1982. The museum interior: temporary and permanent display techniques. New York: Architectural Book Pub. Co.
  • Greenblatt, Stephen. 1991. Resonance and Wonder. In Exhibiting cultures: the poetics and politics of museum display, edited by I. Karp and S. D. Lavine. Washington, DC: Smithsonian Institution Press.
  • Gurian, Elaine Heumann. 2006. Threshold Fear: Architecture program planning, 2005. In Civilizing the Museum: the Collected Writings of Elaine Heumann Gurian London: Routledge.
  • Newhouse, Victoria. 1998. Towards a New Museum. New York: Monacelli Press.
  • ------. 2005. Art and the Power of Placement. New York: Monacelli Press.
  • Noordegraaf, Julia. 2004. Strategies of display : museum presentation in nineteenth- and twentieth-century visual culture. Rotterdam: Museum Boijmans Van Beuningen : NAi Publishers.
  • Screven, C. G. 1976. Exhibit evaluation - A Goal-Referenced Approach. Curator 19 (4):271-290.
  • Serota, Nicholas. 1997. Experience or interpretation : the dilemma of museums of modern art. New York: Thames and Hudson.
  • Staniszewski, Mary Anne. 1998. The power of display : a history of exhibition installations at the Museum of Modern Art. Cambridge, Mass.: MIT Press.

up to Top


Environmental Behavior:

  • Archea, John. 1977. The place of architectural factors in behavioral theories of privacy. Journal of Social Issues 33:116-137.
  • Arthur, P. and Romedi Passini. 1992. Principles of Wayfinding. In Wayfinding: People, Signs and Architecture. New York: McGraw-Hill Book Co.
  • Kaplan, Rachel. 2001. The Nature of the View from Home: Psychological Benefits. Environment and Behavior 33 (4):507-542.
  • Kaplan, Rachel, and Stephen Kaplan. 1989. The experience of nature: A psychological perspective. New York: Cambridge University Press.
  • Kaplan, Stephen. 1973. Cognitive Maps in Perception and Thought. In Image and Environment: Cognitive Mapping and Spatial Behavior, edited by R. M. Downs and D. Stea. Chicago: Aldine Publishing Company.
  • ------. 1973. Some psychological benefits of gardening. Environment and Behavior 5:145-142.
  • ------. 1992. Environmental Preference in a Knowledge Seeking, Knowledge-Using Organism. In The Adapted Mind: Evolutionary Psychology and the Generation of Culture, edited by J. H. Barkow, L. Cosmides and J. Toby. New York: Oxford University Press.
  • ------. 1995. The restorative benefits of nature: Toward an integrative framework. Journal of Environmental Psychology 15:169-182.
  • Kaplan, Stephen, Lisa V. Bardwell, and Deborah B. Slakter. 1993. The Museum as a Restorative Environment. Environment and Behavior 25 (6):725-742.
  • Kaplan, Stephen, and Rachel Kaplan. 1982. Cognition and environment : functioning in an uncertain world. New York: Praeger.
  • Kaplan, Stephen, and J. F. Talbot. 1983. Psychological benefits of a wilderness experience. In Behavior and the natural environment, edited by I. Altman and J. F. Wohlwill. New York: Plenum.
  • Tversky, Barbara. 2003. Structures of Mental Spaces, How People Think About Space. Environment and Behavior 35 (1):66-80.

up to Top


Architectural Theory of Design:

  • Dovey, Kim. 1999. Framing Places. New York: Routledge.
  • Foucault, Michel. 1996. Panopticism (extract). In Rethinking Architecture, edited by N. Leach. New York: Routledge. Original edition, 1975.
  • Frankl, Paul. 1914. Principles of architectural history; the four phases of architectural style, 1420-1900. [Cambridge, Mass.,: MIT Press.
  • Gibson, James J. 1950. The Perception of the Visual World. Cambridge, MA: The Riverside Press.
  • Gibson, James Jerome. 1979. The ecological approach to visual perception. Boston: Houghton Mifflin.
  • Hanson, Julienne. 1998. Decoding homes and houses. Cambridge ; New York: Cambridge University Press.
  • Herzog, Thomas R., and Olivia L. Leverich. 2003. Searching for Legibility. Environment and Behavior 35 (4):459-477.
  • Hillier, Bill. 1996. Space is the machine: a configurational theory of architecture. New York: Cambridge University Press.
  • ------. 2005. The Art of Place and the Science of Space. World Architecture 11/2005 (Special Issue on Space Syntax):24-34.
  • Hillier, Bill, and Jullienne Hanson. 1984. The Social Logic of Space. New York: Cambridge University Press.
  • Hillier, Bill, and Adrian Leaman. 1973. The man-environment paradigm and its paradoxes. Architectural Design 8:507-511.
  • ------. 1974. How Design is Possible? JAR 3 (1):4-11.
  • Hillier, Bill, Adrian Leaman, B. Stansall, and M. Bedford. 1976. Space syntax. Environment and Planning B: Planning and Design 3 (2):147-185.
  • Hillier, Bill, J. Musgove, and P. O'Sullivan. 1972. Knowledge and Design. In Environmental psychology: people and their physical settings, edited by H. M. Proshansky. New York: Holt, Rinehart and Winston, 1976.
  • Hillier, Bill, and Alan Penn. 1991. Visible Colleges: Structure and Randomness in the Place of Discovery. Science in Context 4 (1):23-49.
  • Hillier, Bill, Alan Penn, Jullienne Hanson, Tadeusz Grajewski, and J. Xu. 1993. Natural movement: or, configuration and attraction in urban pedestrian movement. Environment and Planning B: Planning and Design 20:29-66.
  • Hillier, Bill, and Kali Tzortzi. 2006. Space Syntax: The Language of Museum Space. In A Companion to Museum Studies, edited by S. Macdonald. Oxford: Blackwell
  • Peponis, John, and Jean Wineman. 2002. Spatial Structure of Environment and Behavior. In Handbook of Environment and Behavior, edited by R. Betchel and A. Churchman. New York: John Wiley and Sons.
  • Markus, Thomas A. 1987. Buildings as classifying devices. Environment and Planning B: Planning and Design 14:467-484.
  • ------. 1993. Buildings and Power. New York: Routledge.
  • ------. 2002. The words between the spaces: buildings and language. New York Routledge.
  • Stea, David. 1965. Space, Territory and Human Movements. In Environmental psychology: man and his physical setting, edited by H. M. Proshansky. New York: Holt, Rinehart and Winston, 1970.
  • Steadman, P. 1976. Graph-theoretic representation of architectural arrangement. In The Architecture of Form, edited by L. March. New York: Cambridge University Press.

up to Top


Museum Studies:

  • Abler, Thomas S. . 1968. Traffic patterns and exhibit design: A study of learning in the museum. In The Museum Visitor: Publications in Museology No.3, edited by S. F. de Borhegyi and I. A. Hanson. Milwaukee, WI: Milwaukee Public Museum.
  • Bennett, Tony. 1995. The Formation of the Museum. In The Birth of the Museum: History, theory, politics. New York: Routledge.
  • Bitgood, Stephen. 1994. Problems in visitor orientation and circulation. In The Educational Role of the Museum, edited by E. Hooper-Greenhill. London: Routledge.
  • ------. 1995. Visitor Circulation: Is There Really a Right-Turn Bias? Visitor Behavior 10 (1):5.
  • ------. 2002. Environmental psychology in museums, zoos, and other exhibition centers. In The Environmental Psychology Handbook, edited by R. Bechtel and A. Churchman. New York: John Wiley & Sons.
  • ------. 2003. Visitor Orientation? When are Museums Similar to Casinos? Visitor Studies Today 6 (1):10-12.
  • ------. 2006. An Analysis of Visitor Circulation: Movement Patterns and the General Value Principle. Curator 49 (4):463-475.
  • Bitgood, Stephen, and Stephany Dukes. 2006. Not Another Step! Economy of Movement and Pedestrian Choice Point Behavior in Shopping Malls. Environment and Behavior 38 (3):394-405.
  • Bitgood, Stephen, J. Hines, W. Hamberger, and W. Ford. 1991. Visitor circulation through a changing exihibits gallery. In Visitor studies: Theory, research and practice, edited by S. Benefield, S. C. Bitgood and H. Shettel. Jacksonville, AL: Center for Social Design.
  • Bitgood, Stephen, and S. Lankford. 1995. Museum Orientation and Circulation. Visitor Behavior 10 (2):4-5.
  • Bitgood, Stephen, and Donald D. Patterson. 1993. The Effects of Gallery Changes on Visitor Reading and Object Viewing Time. Environment and Behavior 25 (6):782-820.
  • Bitgood, Stephen, and Donald D. Patterson. 1993. Introduction: Environmental Design and Evaluation in Museums. Environment and Behavior 25 (6):683-697.
  • Cohen, M. S., G. H. Winkel, R. Olsen, and F. Wheeler. 1977. Orientation in a museum: An experimental study. Curator 20 (2):85-97.
  • Collins, B. L. . 1975. Windows and people: A literature survey. Psychological reaction to environments with and without windows. Washington, DC: Department of Commerce/National Bureau of Standards.
  • de Borhegyi, Stephan F. 1968. Testing of audience reaction to museum exhibits. In The Museum Visitor, edited by S. F. de Borhegyi and I. A. Hanson. Milwaukee: Milwaukee Public Museum Publications in Museology.
  • Falk, J. H. 1982. The use of time as a measure of visitor behavior and exhibit effectiveness. Roundtable Reports: The Journal of Museum Education 7 (4):10-13.
  • ------. 1983. Time and behavior as predictors of learning. Science Education 67 (2):267-276.
  • ------. 1991. Analysis of the Behavior of Family Visitors in Natural History Museums: The National Museum of Natural History. Curator 34 (1):44-50.
  • ------. 1993. Assessing the impact of exhibit arrangement on visitor behavior and learning. Curator 36 (2):133-146.
  • ------. 2000. The Physical Context. In Learning from Museums: visitor experiences and the making of meaning. Walnut Creek, CA: Altamira Press.
  • Falk, J. H., and Lynn D. Dierking. 1992. The Museum Experience. Washington, D.C.: Whalesaleback Books.
  • Falk, J. H., John J. Jr Koran, Lynn Dierking, and Lewis Dreblow. 1985. Predicting visitor behavior. Curator 24 (8):249-257.
  • Gilman, Benjamin. 1916. Museum fatigue. The Scientific Monthly 12:62-74.
  • Griggs, S. . 1983. Orienting visitors within a thematic display. International Journal of Museum Management and Curatorship 2:119-134. .
  • Hood, Marilyn. 1983. Staying away: Why people choose not to visit museums? Museum News 61 (4):50-57.
  • Klein, Hans-Joachim. 1983. Tracking Visitor Circulation in Museum Settings. Environment and Behavior 25 (6):782-800.
  • Melton, Arthur. 1935. Problems of installation in museums of art. In American Association of Museums Monograph, edited by E. S. Robinson. Washington, D.C: American Association of Museums.
  • ------. 1936. Distribution of attention in galleries in a museum of science and industry. Museum News 14 (3):6-8.
  • ------. 1972. Visitor behavior in museums: some early research in environmental design. Human Factors 14 (5):393-403.
  • Parsons, M. , and R. Loomis. 1973. Visitor traffic patterns: Then and now. Washington, DC.: Smithsonian Institution, Office of Museum Programs.
  • Peart, Bob 1984. Impact of Exhibit Type on Knowledge Gain, Attitudes and Behavior. Curator 27 (3):220-236.
  • Robinson, Edward S. 1928. The Behavior of the Museum Visitor. In New Series. Washington, DC.: American Association of Museums
  • Serrell, Beverly. 1995. The 51% solution research project: A meta-analysis of visitor time/use in museum exhibitions. Visitor Behavior 10 (3):6-9.
  • ------. 1997. Paying Attention: The Duration and Allocation of Visitors' Time in Museum Exhibitions Curator 40 (2):108-124.
  • Weiss, R., and S. Boutourline. 1963. The communication value of exhibits. Museum News 42 (3):23-27.
  • Wright, Philip. 1989. The Quality of Visitors' Experiences in Art Museums. In The New Museology, edited by P. Vergo. London Reaktion.
  • Yoshioka, J. 1942. A direction-orientation study with visitors at the New York World's Fair. Journal of General Psychology 27 (3-33).

up to Top


Statistical + Spatial Analysis Methodologies:

  • Arsham, H. 1988. Kuiper's P-value as a Measuring Tool and Decision Procedure for the Goodness-of-fit Test. Journal of Applied Statistics 15 (3):131-135.
  • Turner, Alasdair. 2001. Depthmap: A program to perform visibility graph analysis. In 3rd International Space Syntax Symposium. Atlanta, GA: The Georgia Institute of Technology: The Georgia Institute of Technology.
  • ------. 2003. Analysing the visual dynamics of spatial morphology. Environment and Planning B: Planning an Design 30 (657 - 676).
  • Depthmap: The Researcher's Handbook. Bartlett School of Graduate Studies, UCL, London., London, UK.
  • Turner, Alasdair, M. Doxa, D. O'Sullivan, and Alan Penn. 2001. From 'isovist' to visibility graph: a methodology for analyzing the architectural space. Environment and Planning B: Planning an Design 28 (1):103-121.
  • Turner, Alasdair, Chiron Mottram, and Alan Penn. 2004. An Ecological Approach to Generative Design. In Design Computing and Cognition, edited by J. Gero. Dordrecht, the Netherlands: Kluwer Academic Publishers.

up to Top


The Buildings of the Yale Center for British Art, MoMA and High Museum of Art:

  • HMA: selected works from the collection. 2005. Atlanta, GA: High Museum of Art, Atlanta, GA.
  • Renzo Piano's Village for the Arts. 2005. Atlanta: the High Museum of Art.
  • Braudy, Susan. 1970. The Architectural Metaphysic of Louis Kahn. The New York Times Magazine.
  • Brownlee, David B., and David G. De Long. 1997. Louis I. Kahn : in the realm of architecture. New York, NY Universe Pub.
  • Duncan, Carol. 1995. The Art Museum as Ritual, From Princely Gallery to the Public Art Museum. In Civilizing Rituals: Inside the Public Art Museum. New York: Routledge.
  • Duncan, Carol, and Alan Wallach. 1978. The Museum of Modern Art as a Late Capitalist Ritual: an iconographic analysis. Marxist Perspectives 1 (Winter, 1978):28-51.
  • ------. 1980. Universal Survey Museum. Art History 3 (4):448-469.
  • Goldberger, Paul. 1975. What should a museum building be? Art News 74 (October, 1975):33-38.
  • Kaynar, Ipek. 2005. A Museum for Three Missions: YCBA In Brown Bag Series, in the Museum Studies Program, University of Michigan, . Ann Arbor, MI
  • Lowry, Glenn D. 1998. The New Museum of Modern Art Expansion: A Process of Discovery. In Imagining the Future of the Museum of Modern Art, edited by J. Elderfield. New York: Museum of Modern Art.
  • ------. 2005. The New Museum of Modern Art Worldwide: Thames and Hudson. .
  • Montaner, Josep Maria, and Jodi Oliveras. 1987. Die Museumgbauten der neuen Generation = The museums of the last generation. Stuttgart: K. Krämer Verlag.
  • Robinson, Duncan. 1985. Foreword. In A Concise Catalogue of Paintings in the Yale Center for Brisith Art, edited by M. Cormack. New Haven, Conn. : Yale Center for British Art.
  • ------. 1997. The Yale Center for British Art: A Tribute fo the Genius of Louis I. Kahn. New Haven, CT: Yale Center for British Art, Yale University Press.
  • Prown, Jules David. 1977. The Architecture of the Yale Center for British Art. New Haven, CT: Yale University. .
  • ------. 1983. On Being a Client. The Journal of Society of Architectural Historians 42 (March 1983):11-14.
  • Vigtel, G. 1983. Director's Statement. In High Museum of Art: the new building, a chronicle of planning, design and construction: published on the occasion and dedication of the new facility. Atlanta, GA: High Museum of Art.
  • Wallach, Alan. 1998. The Museum of Modern Art: The Past's Future. In Exhibiting Contradiction: Essays on the Art Museum in the United States. Boston, MA: The University of Massachusetts Press.
  • Warner, Malcolm. 1998. Frederic Leighton. In This Other Eden: Paintings from the Yale Center for British Art, edited by M. Warner and J. M. Alexander. New Haven: Yale University Press.
  • ------. 1998. Phillip Mercier. In This Other Eden: Paintings from the Yale Center for British Art, edited by M. Warner and J. M. Alexander. New Haven, Connecticut: Yale University Press.
  • Warner, Malcolm, and Julia Marciari Alexander. 1998. This Other Eden: Paintings from the Yale Center for British Art. New Haven, Connecticut: Yale University Press.
  • Waterhouse, Ellis. 1962. Painting in Britain: 1530-1790, The Pelican History of Art. Harmondsworth, Middlesex: Penguin Books Ltd. .

up to Top


Material on the Collections of the Yale Center for British Art, MoMA and High Museum of Art:

  • Selected Works in the HMA. 1981. Atlanta, GA: The High Museum of Art, & Preston Rose Company: Atlanta, GA. .
  • HMA, Acquisitions, 2000. 2001. Atlanta, GA: High Museum of Art.
  • NGA: British and American History Paintings of the 1700s. National Gallery of Art 2008 [cited 09.04.2008. Available from http://www.nga.gov/collection/gallery/gg61/gg61-over1.html#jump.
  • NGA: British Conversation Pieces and Portraits of the 1700s. National Gallery of Art 2008 [cited 09.04.2008. Available from http://www.nga.gov/collection/gallery/gg63/gg63-over1.html#jump.
  • Ades, Dawn. 1985. History Painting. In The Thames and Hudson Encyclopedia of British Art, edited by D. Bindman. London: Thames and Hudson, Ltd.
  • Alexander, Julia Marciari. 1998. Arthur Devis. In This Other Eden: Paintings from the Yale Center for British Art, edited by M. Warner and J. M. Alexander. New Haven: Yale University Press.
  • ------. 1998. Joseph Wright. In This Other Eden: Paintings from the Yale Center for British Art, edited by M. Warner and J. M. Alexander. New Haven: Yale University Press.
  • ------. 1998. Joshua Reynolds. In This Other Eden: Paintings from the Yale Center for British Art, edited by M. Warner and J. M. Alexander. New Haven: Yale University Press.
  • ------. 2005. Conversations with YCBA's Director of Programmatic Affairs on the British Art Collection. New Haven, CT.
  • Allen, Brian. 1985. Arthur Devis. In The Thames and Hudson Encyclopedia of British Art, edited by D. Bindman. London: Thames and Hudson, Ltd.
  • Barr, Alfred Hamilton, Dorothy Canning Miller, Ernestine Mary Fantl, and Beaumont Newhall. 1936. Cubism and Abstract Art. New York,: The Museum of Modern Art.
  • Baur, John I. H. 1975. American Painting, 1900-1976. New York: Katonah Gallery.
  • Bindman, David. 1985. The Thames and Hudson Encyclopedia of British Art. London: Thames and Hudson.
  • ------. 1985. Thomas Gainsborough. In The Thames and Hudson Encyclopedia of British Art, edited by D. Bindman. London: Thames and Hudson, Ltd.
  • Brenneman, David. 2006. High Museum of Art's Collections and Exhibition Programs. Atlanta, GA.
  • Butlin, Martin. 2001. Aspects of British Painting: 1550-1800. Houston, TX: The Sarah Campbell Blaffer Foundation.
  • Cove, Jeffrey. 2006. Curatorial Intent in the High Museum of Art's Skyway Floor. Atlanta, GA.
  • Dabrowski, Magdalena. 1995. Vassily Kandinsky. In Masterworks from The Louise Reinhardt Smith Collection, edited by K. Varnedoe. New York: Museum of Modern Art, N.Y.
  • Doss, Erika. 2002. Twentieth Century American Art, Oxford History of Art. Oxford, UK: Oxfort University Press.
  • Egerton, Judy. 1990. Wright of Derby. London: Tate Gallery.
  • Elderfield, John. 2004. The Front Door to Understanding. In Modern Painting and Sculpture: 1880 to the Present at the Museum of Modern Art, edited by J. Elderfield. New York, NY: The Museum of Modern Art, New York.
  • Friedlaender, Linda 2005. The YCBA's Permanent Collection Display. New Haven.
  • Glueck, Grace. 2000. Art in Review; Charmion von Wiegand, Blanche Lazzell. New York Times, October 20.
  • Gombrich, E. H. . 1989. The Age of Reason: England and France, eighteenth century. In The Story of Art. Englewood Cliffs, New Jersey: Prentice-Hall Inc.
  • Harvey, Michael. 2008. The Collector's Collector: A tour of the Yale British Art Center's remarkable Mellon collection with curator Angus Trumble. New Haven, May 2008, 48-50.
  • Hemingway, Andrew. 1985. Norwich School. In The Thames and Hudson Encyclopedia of British Art, edited by D. Bindman. London: Thames and Hudson, Ltd.
  • Herskovic, Marika, ed. 2003. American abstract expressionism of the 1950s : an illustrated survey with artists' statements, artwork, and biographies. Franklin Lakes, New Jersey: New York School Press, 2003.
  • Johnson, Jay. 1983. American folk art of the twentieth century. New York: Rizzoli.
  • Kantor, Sybil Gordon. 2002. Alfred H. Barr, Jr., and the intellectual origins of the Museum of Modern Art. Cambridge, Mass.: MIT Press.
  • Karmel, Pepe, Museum of Modern Art (New York N.Y.), and Kirk Varnedoe, eds. 1999. Jackson Pollock: Interviews, Articles, and Reviews. New York, NY: Museum of Modern Art.
  • Larson, Judy L. ed. 1994. American Paintings at the High Museum of Art. Atlanta, GA: Hudson Hills Press, New York (in association with the High Museum of Art).
  • Longhauser, Lisa. 1998. Introduction. In Self-taught artists of the 20th century: an American anthology, edited by G. C. Wertkin. New York, NY: Museum of American Folk Art.
  • McCaughey, Patrick. 1998. Paul Mellon and the British Imagination. In This Other Eden: Paintings from the Yale Center for British Art, edited by M. Warner and J. M. Alexander. New Haven: Yale University Press.
  • Merrill, Linda. 2005. A History of the High Museum of Art. In High Museum of Art: Selected Works from the Collection, edited by L. Cavagnaro. Atlanta: High Museum of Art.
  • Meyers, Amy. 2007. About the Center (http://ycba.yale.edu/information/index.html) [Web page]. Yale Center for British Art 2007 [cited March 2007].
  • ------. September-December 2005. Reinstallation. New Haven, CT: Yale Center for British Art.
  • ------. May-August 2005. Reinstallation of the Permanent Collection. New Haven, CT: Yale Center for British Art
  • Trumble, Angus. 2005. YCBA Reinstalls Permanent Collection of Paintings and Sculpture. In Inside / Out - Community weekend program. New Haven, CT.
  • ------. 2005. The YCBA's Permanent Collection Display. New Haven, CT.
  • Trumble, Angus, and Cassandra Albinson. 2005. The Permanent Collection Reinstallation (gallery map). New Haven, CT: Yale Center for British Art.
  • Educational Theory - Narratives
  • Bernstein, Basil. 1975. On the classification and framing educational knowledge. In Class, Codes, Control v.2: Applied studies towards a sociology of language. London: Routledge.
  • Bordwell, David. 1985. Narration in the fiction film. Madison, Wis.: University of Wisconsin Press.
  • Carrier, David. 2006. Art History Narratives. In Museum skepticism : a history of the display of art in public galleries. Durham: Duke University Press.
  • ------. 2006. Museum skepticism : a history of the display of art in public galleries. Durham: Duke University Press.
  • Casey, Valerie. 2003. The Museum Effect: gazing from object to performance in the contemporary cultural-history museum. In Cultural Institutions and Digital Technology. Ecole de Louvre.
  • Cobley, Paul. 2001. Narrative, New critical idiom. London ; New York: Routledge.
  • Hein, George E. . 1998. The Constructivist Museum. In Learning in the Museum. London: Routledge.
  • Hein, Hilde S. 2000. The museum in transition : a philosophical perspective. Washington [D.C.]: Smithsonian Institution Press.
  • Hooper-Greenhill, E. 1992. Museums and the shaping of knowledge. London; New York: Routledge.
  • Hooper-Greenhill, E. . 1994. 'Communications Design Team, Royal Ontario Museum,' Spatial Considerations In The Educational Role of the Museum. London U.K.: Routledge.
  • ------. 1994. A new communication model for museums. In The Educational Role of the Museum. London U.K.: Routledge.
  • ------. 2000. Changing Values in the Art Museum: rethinking communication and learning. International Journal of Heritage Studies 6 (1):9-31.
  • Hooper-Greenhill, E. 2000. Museums and the Interpretation of Visual Culture. New York: Routledge.
  • James, W. . 1962. Psychology: The briefer course. New York: Collier. Original edition, 1892.
  • Lotman, J. M. . 1977. The structure of the narrative text. In Soviet semiotics : an anthology, edited by D. P. Lucid. Baltimore: Johns Hopkins University Press.
  • Pradinuk, Ray. 1986. Art Gallery Room Sequences: pedagogic, social, categoric and mnemonic effects, Bartlett School of Architecture, University College London (UCL), London.
  • Roberts, Lisa C. . 1997. From knowledge to narrative: educators and the changing museum. Washington, DC: Smithsonian Institution Press.
  • Roschelle, J. . 1995. Learning in Interactive Environments: Prior Knowledge and New Experience. In Public Institutions for Personal Learning: Establishing a Research Agenda, edited by J. H. Falk and L. Dierking. Washington, D.C.: American Association of Museums.
  • Ryan, Marie-Laure. 1991. Possible worlds, artificial intelligence, and narrative theory. Bloomington: Indiana University Press.
  • ------. 2004. Narrative across media : the languages of storytelling, Frontiers of narrative. Lincoln: University of Nebraska Press.
  • Yanni, Carla. 1996. Divine Display or Secular Science: Defining Nature at the Natural History Museum in London. The Journal of the Society of Architectural Historians 55 (3):276-299.

up to Top