Relevant Bibliographies
The Use of Space Syntax in Architecture
Exhibition Strategies and Techniques
Architectural Theory of Design
Statistical and Spatial Analysis Methodologies
The Use of Space Syntax in Architecture:
- Bafna, Sonit. 2003. Space Syntax, a Brief Introduction to Its Logic and Analytical Techniques. Environment and Behavior 35 (1):17-29.
- Batty, M. 2001. Exploring isovist fields: space and shape in architectural and urban morphology. Environment and Planning B: Planning and Design 28 (1):123-150.
- Bednar, Michael J. 1986. The New Atrium. New York: McGraw-Hill Book Company.
- Benedikt, Michael. 1979. To take the hold of space: isovists and isovist fields. Environment and Planning B: Planning an Design 6:47-55.
- Berger, John. 1972. Ways of seeing. London, UK.: British Broadcasting Corporation; Harmondsworth, Penguin.
- Choi, Y. K. 1991. The spatial structure of exploration and encounter in museum layouts. Ph.D thesis, Georgia Institute of Technology Atlanta, GA.
- ------. 1999. The morphology of exploration and encounter in museum layouts. Environment and Planning B: Planning and Design 26 (2):251-264.
- Dalton, Ruth Conroy 2001. Omnivista: An Application for Isovist Field and Path Analysis. In 3rd International Space Syntax Symposium. Atlanta, GA.
- Penn, Alan, Maximo Martinez, and Maia Lemlij. 2007. Structure, Agency and Space in the Emergence of Organisational Culture. Paper read at 6th International Space Syntax Symposium, at Istanbul.
- Peponis, John, Ruth Conroy Dalton, Jean Wineman, and Nick Dalton. 2003. Path, theme and narrative in open plan exhibition settings. In 4th International Space Syntax Symposium. London, U.K.
- ------. 2004. Measuring the effects of layout upon visitors' spatial behaviors in open-plan exhibition settings. Environment and Planning B: Planning and Design 31 (3):453-473.
- Peponis, John, Jean Wineman, Mahmud Rashid, Sonit Bafna, and S. H. Kim. 1998. Describing plan configuration according to co-visibility of surfaces. Environment and Planning B: Planning and Design 25 (5):693-708.
- ------. 1998. On the generation of linear representations of spatial configuration. Environment and Planning B: Planning and Design 25 (4):559-576.
- Peponis, John, Jean Wineman, Mahmud Rashid, S. H. Kim, and Sonit Bafna. 1997. On the description of shape and spatial configuration inside buildings: convex partitions and their local properties. Environment and Planning B: Planning and Design 24 (5):761-781.
- Psarra Sophia. 2003. Top-down and bottom-up characterizations of shape and space. In 4th International Space Syntax Symposium. London, U.K. .
- ------. 2005. Spatial Culture, Way-finding and the Educational Message: the impact of layout on the spatial, social and educational experienced of visitors to museums and galleries. In Reshaping Museum Space: architecture, design, exhibitions, edited by S. Macleod. New York: Routledge.
- Psarra, Sophia, and Tadeusz Grajewski. 2000. Architecture, narrative and promenade in Benson+Forsyth's Museum of Scotland. ARQ: Architectural Research Quarterly 4 (2):123-136.
- ------. 2001. Describing Shape and Shape Complexity Using Local Properties. In 3rd International Space Syntax Symposium. Atlanta, GA.
- Psarra, Sophia, Jean Wineman, Ying Xu, and Ipek Kaynar. 2007. Tracing the Modern - the Museum of Modern Art in New York and its Latest Expansion. In 6th International Space Syntax Symposium. Istanbul, Turkey.
- Stavroulaki, Gianna, and John Peponis. 2003. The spatial construction of seeing Castelveccio. Paper read at 4th International Space Syntax Symposium, at University College London (UCL).
- ------. 2005. Seen in a different light. Icons in Byzantine museums and churches. In 5th International Space Syntax Symposium. Delft, the Netherlands.
- Tzortzi, Kali. 2003. An Approach of the Microstructure of the Gallery Space: The Case of the Sainsbury Wing. In 4th International Space Syntax Symposium. London, U.K.
- ------. 2004. Building and exhibition layout: Sainsbury wing compared with Castelvecchio. ARQ: Architectural Research Quarterly 8 (2):128-140.
- ------. 2005. Kroller-Muller vs Louisiana: alternative explorations of museum experience. Paper read at 5th International Space Syntax Symposium, at Delft, the Netherlands.
- ------. 2007. Museum Building Design and Exhibition Layout: patterns of interaction. In 6th International Space Syntax Symposium. Istanbul, Turkey.
- Zamani, Pegah, and John Peponis. 2007. Radical Discontinuity or Variations of a Theme?: recent history of the High Museum of Art. In 6th International Space Syntax Symposium. Istanbul, Turkey.
Exhibition Strategies and Techniques:
- Brawne, Michael. 1982. The museum interior: temporary and permanent display techniques. New York: Architectural Book Pub. Co.
- Greenblatt, Stephen. 1991. Resonance and Wonder. In Exhibiting cultures: the poetics and politics of museum display, edited by I. Karp and S. D. Lavine. Washington, DC: Smithsonian Institution Press.
- Gurian, Elaine Heumann. 2006. Threshold Fear: Architecture program planning, 2005. In Civilizing the Museum: the Collected Writings of Elaine Heumann Gurian London: Routledge.
- Newhouse, Victoria. 1998. Towards a New Museum. New York: Monacelli Press.
- ------. 2005. Art and the Power of Placement. New York: Monacelli Press.
- Noordegraaf, Julia. 2004. Strategies of display : museum presentation in nineteenth- and twentieth-century visual culture. Rotterdam: Museum Boijmans Van Beuningen : NAi Publishers.
- Screven, C. G. 1976. Exhibit evaluation - A Goal-Referenced Approach. Curator 19 (4):271-290.
- Serota, Nicholas. 1997. Experience or interpretation : the dilemma of museums of modern art. New York: Thames and Hudson.
- Staniszewski, Mary Anne. 1998. The power of display : a history of exhibition installations at the Museum of Modern Art. Cambridge, Mass.: MIT Press.
Environmental Behavior:
- Archea, John. 1977. The place of architectural factors in behavioral theories of privacy. Journal of Social Issues 33:116-137.
- Arthur, P. and Romedi Passini. 1992. Principles of Wayfinding. In Wayfinding: People, Signs and Architecture. New York: McGraw-Hill Book Co.
- Kaplan, Rachel. 2001. The Nature of the View from Home: Psychological Benefits. Environment and Behavior 33 (4):507-542.
- Kaplan, Rachel, and Stephen Kaplan. 1989. The experience of nature: A psychological perspective. New York: Cambridge University Press.
- Kaplan, Stephen. 1973. Cognitive Maps in Perception and Thought. In Image and Environment: Cognitive Mapping and Spatial Behavior, edited by R. M. Downs and D. Stea. Chicago: Aldine Publishing Company.
- ------. 1973. Some psychological benefits of gardening. Environment and Behavior 5:145-142.
- ------. 1992. Environmental Preference in a Knowledge Seeking, Knowledge-Using Organism. In The Adapted Mind: Evolutionary Psychology and the Generation of Culture, edited by J. H. Barkow, L. Cosmides and J. Toby. New York: Oxford University Press.
- ------. 1995. The restorative benefits of nature: Toward an integrative framework. Journal of Environmental Psychology 15:169-182.
- Kaplan, Stephen, Lisa V. Bardwell, and Deborah B. Slakter. 1993. The Museum as a Restorative Environment. Environment and Behavior 25 (6):725-742.
- Kaplan, Stephen, and Rachel Kaplan. 1982. Cognition and environment : functioning in an uncertain world. New York: Praeger.
- Kaplan, Stephen, and J. F. Talbot. 1983. Psychological benefits of a wilderness experience. In Behavior and the natural environment, edited by I. Altman and J. F. Wohlwill. New York: Plenum.
- Tversky, Barbara. 2003. Structures of Mental Spaces, How People Think About Space. Environment and Behavior 35 (1):66-80.
Architectural Theory of Design:
- Dovey, Kim. 1999. Framing Places. New York: Routledge.
- Foucault, Michel. 1996. Panopticism (extract). In Rethinking Architecture, edited by N. Leach. New York: Routledge. Original edition, 1975.
- Frankl, Paul. 1914. Principles of architectural history; the four phases of architectural style, 1420-1900. [Cambridge, Mass.,: MIT Press.
- Gibson, James J. 1950. The Perception of the Visual World. Cambridge, MA: The Riverside Press.
- Gibson, James Jerome. 1979. The ecological approach to visual perception. Boston: Houghton Mifflin.
- Hanson, Julienne. 1998. Decoding homes and houses. Cambridge ; New York: Cambridge University Press.
- Herzog, Thomas R., and Olivia L. Leverich. 2003. Searching for Legibility. Environment and Behavior 35 (4):459-477.
- Hillier, Bill. 1996. Space is the machine: a configurational theory of architecture. New York: Cambridge University Press.
- ------. 2005. The Art of Place and the Science of Space. World Architecture 11/2005 (Special Issue on Space Syntax):24-34.
- Hillier, Bill, and Jullienne Hanson. 1984. The Social Logic of Space. New York: Cambridge University Press.
- Hillier, Bill, and Adrian Leaman. 1973. The man-environment paradigm and its paradoxes. Architectural Design 8:507-511.
- ------. 1974. How Design is Possible? JAR 3 (1):4-11.
- Hillier, Bill, Adrian Leaman, B. Stansall, and M. Bedford. 1976. Space syntax. Environment and Planning B: Planning and Design 3 (2):147-185.
- Hillier, Bill, J. Musgove, and P. O'Sullivan. 1972. Knowledge and Design. In Environmental psychology: people and their physical settings, edited by H. M. Proshansky. New York: Holt, Rinehart and Winston, 1976.
- Hillier, Bill, and Alan Penn. 1991. Visible Colleges: Structure and Randomness in the Place of Discovery. Science in Context 4 (1):23-49.
- Hillier, Bill, Alan Penn, Jullienne Hanson, Tadeusz Grajewski, and J. Xu. 1993. Natural movement: or, configuration and attraction in urban pedestrian movement. Environment and Planning B: Planning and Design 20:29-66.
- Hillier, Bill, and Kali Tzortzi. 2006. Space Syntax: The Language of Museum Space. In A Companion to Museum Studies, edited by S. Macdonald. Oxford: Blackwell
- Peponis, John, and Jean Wineman. 2002. Spatial Structure of Environment and Behavior. In Handbook of Environment and Behavior, edited by R. Betchel and A. Churchman. New York: John Wiley and Sons.
- Markus, Thomas A. 1987. Buildings as classifying devices. Environment and Planning B: Planning and Design 14:467-484.
- ------. 1993. Buildings and Power. New York: Routledge.
- ------. 2002. The words between the spaces: buildings and language. New York Routledge.
- Stea, David. 1965. Space, Territory and Human Movements. In Environmental psychology: man and his physical setting, edited by H. M. Proshansky. New York: Holt, Rinehart and Winston, 1970.
- Steadman, P. 1976. Graph-theoretic representation of architectural arrangement. In The Architecture of Form, edited by L. March. New York: Cambridge University Press.
Museum Studies:
- Abler, Thomas S. . 1968. Traffic patterns and exhibit design: A study of learning in the museum. In The Museum Visitor: Publications in Museology No.3, edited by S. F. de Borhegyi and I. A. Hanson. Milwaukee, WI: Milwaukee Public Museum.
- Bennett, Tony. 1995. The Formation of the Museum. In The Birth of the Museum: History, theory, politics. New York: Routledge.
- Bitgood, Stephen. 1994. Problems in visitor orientation and circulation. In The Educational Role of the Museum, edited by E. Hooper-Greenhill. London: Routledge.
- ------. 1995. Visitor Circulation: Is There Really a Right-Turn Bias? Visitor Behavior 10 (1):5.
- ------. 2002. Environmental psychology in museums, zoos, and other exhibition centers. In The Environmental Psychology Handbook, edited by R. Bechtel and A. Churchman. New York: John Wiley & Sons.
- ------. 2003. Visitor Orientation? When are Museums Similar to Casinos? Visitor Studies Today 6 (1):10-12.
- ------. 2006. An Analysis of Visitor Circulation: Movement Patterns and the General Value Principle. Curator 49 (4):463-475.
- Bitgood, Stephen, and Stephany Dukes. 2006. Not Another Step! Economy of Movement and Pedestrian Choice Point Behavior in Shopping Malls. Environment and Behavior 38 (3):394-405.
- Bitgood, Stephen, J. Hines, W. Hamberger, and W. Ford. 1991. Visitor circulation through a changing exihibits gallery. In Visitor studies: Theory, research and practice, edited by S. Benefield, S. C. Bitgood and H. Shettel. Jacksonville, AL: Center for Social Design.
- Bitgood, Stephen, and S. Lankford. 1995. Museum Orientation and Circulation. Visitor Behavior 10 (2):4-5.
- Bitgood, Stephen, and Donald D. Patterson. 1993. The Effects of Gallery Changes on Visitor Reading and Object Viewing Time. Environment and Behavior 25 (6):782-820.
- Bitgood, Stephen, and Donald D. Patterson. 1993. Introduction: Environmental Design and Evaluation in Museums. Environment and Behavior 25 (6):683-697.
- Cohen, M. S., G. H. Winkel, R. Olsen, and F. Wheeler. 1977. Orientation in a museum: An experimental study. Curator 20 (2):85-97.
- Collins, B. L. . 1975. Windows and people: A literature survey. Psychological reaction to environments with and without windows. Washington, DC: Department of Commerce/National Bureau of Standards.
- de Borhegyi, Stephan F. 1968. Testing of audience reaction to museum exhibits. In The Museum Visitor, edited by S. F. de Borhegyi and I. A. Hanson. Milwaukee: Milwaukee Public Museum Publications in Museology.
- Falk, J. H. 1982. The use of time as a measure of visitor behavior and exhibit effectiveness. Roundtable Reports: The Journal of Museum Education 7 (4):10-13.
- ------. 1983. Time and behavior as predictors of learning. Science Education 67 (2):267-276.
- ------. 1991. Analysis of the Behavior of Family Visitors in Natural History Museums: The National Museum of Natural History. Curator 34 (1):44-50.
- ------. 1993. Assessing the impact of exhibit arrangement on visitor behavior and learning. Curator 36 (2):133-146.
- ------. 2000. The Physical Context. In Learning from Museums: visitor experiences and the making of meaning. Walnut Creek, CA: Altamira Press.
- Falk, J. H., and Lynn D. Dierking. 1992. The Museum Experience. Washington, D.C.: Whalesaleback Books.
- Falk, J. H., John J. Jr Koran, Lynn Dierking, and Lewis Dreblow. 1985. Predicting visitor behavior. Curator 24 (8):249-257.
- Gilman, Benjamin. 1916. Museum fatigue. The Scientific Monthly 12:62-74.
- Griggs, S. . 1983. Orienting visitors within a thematic display. International Journal of Museum Management and Curatorship 2:119-134. .
- Hood, Marilyn. 1983. Staying away: Why people choose not to visit museums? Museum News 61 (4):50-57.
- Klein, Hans-Joachim. 1983. Tracking Visitor Circulation in Museum Settings. Environment and Behavior 25 (6):782-800.
- Melton, Arthur. 1935. Problems of installation in museums of art. In American Association of Museums Monograph, edited by E. S. Robinson. Washington, D.C: American Association of Museums.
- ------. 1936. Distribution of attention in galleries in a museum of science and industry. Museum News 14 (3):6-8.
- ------. 1972. Visitor behavior in museums: some early research in environmental design. Human Factors 14 (5):393-403.
- Parsons, M. , and R. Loomis. 1973. Visitor traffic patterns: Then and now. Washington, DC.: Smithsonian Institution, Office of Museum Programs.
- Peart, Bob 1984. Impact of Exhibit Type on Knowledge Gain, Attitudes and Behavior. Curator 27 (3):220-236.
- Robinson, Edward S. 1928. The Behavior of the Museum Visitor. In New Series. Washington, DC.: American Association of Museums
- Serrell, Beverly. 1995. The 51% solution research project: A meta-analysis of visitor time/use in museum exhibitions. Visitor Behavior 10 (3):6-9.
- ------. 1997. Paying Attention: The Duration and Allocation of Visitors' Time in Museum Exhibitions Curator 40 (2):108-124.
- Weiss, R., and S. Boutourline. 1963. The communication value of exhibits. Museum News 42 (3):23-27.
- Wright, Philip. 1989. The Quality of Visitors' Experiences in Art Museums. In The New Museology, edited by P. Vergo. London Reaktion.
- Yoshioka, J. 1942. A direction-orientation study with visitors at the New York World's Fair. Journal of General Psychology 27 (3-33).
Statistical + Spatial Analysis Methodologies:
- Arsham, H. 1988. Kuiper's P-value as a Measuring Tool and Decision Procedure for the Goodness-of-fit Test. Journal of Applied Statistics 15 (3):131-135.
- Turner, Alasdair. 2001. Depthmap: A program to perform visibility graph analysis. In 3rd International Space Syntax Symposium. Atlanta, GA: The Georgia Institute of Technology: The Georgia Institute of Technology.
- ------. 2003. Analysing the visual dynamics of spatial morphology. Environment and Planning B: Planning an Design 30 (657 - 676).
- Depthmap: The Researcher's Handbook. Bartlett School of Graduate Studies, UCL, London., London, UK.
- Turner, Alasdair, M. Doxa, D. O'Sullivan, and Alan Penn. 2001. From 'isovist' to visibility graph: a methodology for analyzing the architectural space. Environment and Planning B: Planning an Design 28 (1):103-121.
- Turner, Alasdair, Chiron Mottram, and Alan Penn. 2004. An Ecological Approach to Generative Design. In Design Computing and Cognition, edited by J. Gero. Dordrecht, the Netherlands: Kluwer Academic Publishers.
The Buildings of the Yale Center for British Art, MoMA and High Museum of Art:
- HMA: selected works from the collection. 2005. Atlanta, GA: High Museum of Art, Atlanta, GA.
- Renzo Piano's Village for the Arts. 2005. Atlanta: the High Museum of Art.
- Braudy, Susan. 1970. The Architectural Metaphysic of Louis Kahn. The New York Times Magazine.
- Brownlee, David B., and David G. De Long. 1997. Louis I. Kahn : in the realm of architecture. New York, NY Universe Pub.
- Duncan, Carol. 1995. The Art Museum as Ritual, From Princely Gallery to the Public Art Museum. In Civilizing Rituals: Inside the Public Art Museum. New York: Routledge.
- Duncan, Carol, and Alan Wallach. 1978. The Museum of Modern Art as a Late Capitalist Ritual: an iconographic analysis. Marxist Perspectives 1 (Winter, 1978):28-51.
- ------. 1980. Universal Survey Museum. Art History 3 (4):448-469.
- Goldberger, Paul. 1975. What should a museum building be? Art News 74 (October, 1975):33-38.
- Kaynar, Ipek. 2005. A Museum for Three Missions: YCBA In Brown Bag Series, in the Museum Studies Program, University of Michigan, . Ann Arbor, MI
- Lowry, Glenn D. 1998. The New Museum of Modern Art Expansion: A Process of Discovery. In Imagining the Future of the Museum of Modern Art, edited by J. Elderfield. New York: Museum of Modern Art.
- ------. 2005. The New Museum of Modern Art Worldwide: Thames and Hudson. .
- Montaner, Josep Maria, and Jodi Oliveras. 1987. Die Museumgbauten der neuen Generation = The museums of the last generation. Stuttgart: K. Krämer Verlag.
- Robinson, Duncan. 1985. Foreword. In A Concise Catalogue of Paintings in the Yale Center for Brisith Art, edited by M. Cormack. New Haven, Conn. : Yale Center for British Art.
- ------. 1997. The Yale Center for British Art: A Tribute fo the Genius of Louis I. Kahn. New Haven, CT: Yale Center for British Art, Yale University Press.
- Prown, Jules David. 1977. The Architecture of the Yale Center for British Art. New Haven, CT: Yale University. .
- ------. 1983. On Being a Client. The Journal of Society of Architectural Historians 42 (March 1983):11-14.
- Vigtel, G. 1983. Director's Statement. In High Museum of Art: the new building, a chronicle of planning, design and construction: published on the occasion and dedication of the new facility. Atlanta, GA: High Museum of Art.
- Wallach, Alan. 1998. The Museum of Modern Art: The Past's Future. In Exhibiting Contradiction: Essays on the Art Museum in the United States. Boston, MA: The University of Massachusetts Press.
- Warner, Malcolm. 1998. Frederic Leighton. In This Other Eden: Paintings from the Yale Center for British Art, edited by M. Warner and J. M. Alexander. New Haven: Yale University Press.
- ------. 1998. Phillip Mercier. In This Other Eden: Paintings from the Yale Center for British Art, edited by M. Warner and J. M. Alexander. New Haven, Connecticut: Yale University Press.
- Warner, Malcolm, and Julia Marciari Alexander. 1998. This Other Eden: Paintings from the Yale Center for British Art. New Haven, Connecticut: Yale University Press.
- Waterhouse, Ellis. 1962. Painting in Britain: 1530-1790, The Pelican History of Art. Harmondsworth, Middlesex: Penguin Books Ltd. .
Material on the Collections of the Yale Center for British Art, MoMA and High Museum of Art:
- Selected Works in the HMA. 1981. Atlanta, GA: The High Museum of Art, & Preston Rose Company: Atlanta, GA. .
- HMA, Acquisitions, 2000. 2001. Atlanta, GA: High Museum of Art.
- NGA: British and American History Paintings of the 1700s. National Gallery of Art 2008 [cited 09.04.2008. Available from http://www.nga.gov/collection/gallery/gg61/gg61-over1.html#jump.
- NGA: British Conversation Pieces and Portraits of the 1700s. National Gallery of Art 2008 [cited 09.04.2008. Available from http://www.nga.gov/collection/gallery/gg63/gg63-over1.html#jump.
- Ades, Dawn. 1985. History Painting. In The Thames and Hudson Encyclopedia of British Art, edited by D. Bindman. London: Thames and Hudson, Ltd.
- Alexander, Julia Marciari. 1998. Arthur Devis. In This Other Eden: Paintings from the Yale Center for British Art, edited by M. Warner and J. M. Alexander. New Haven: Yale University Press.
- ------. 1998. Joseph Wright. In This Other Eden: Paintings from the Yale Center for British Art, edited by M. Warner and J. M. Alexander. New Haven: Yale University Press.
- ------. 1998. Joshua Reynolds. In This Other Eden: Paintings from the Yale Center for British Art, edited by M. Warner and J. M. Alexander. New Haven: Yale University Press.
- ------. 2005. Conversations with YCBA's Director of Programmatic Affairs on the British Art Collection. New Haven, CT.
- Allen, Brian. 1985. Arthur Devis. In The Thames and Hudson Encyclopedia of British Art, edited by D. Bindman. London: Thames and Hudson, Ltd.
- Barr, Alfred Hamilton, Dorothy Canning Miller, Ernestine Mary Fantl, and Beaumont Newhall. 1936. Cubism and Abstract Art. New York,: The Museum of Modern Art.
- Baur, John I. H. 1975. American Painting, 1900-1976. New York: Katonah Gallery.
- Bindman, David. 1985. The Thames and Hudson Encyclopedia of British Art. London: Thames and Hudson.
- ------. 1985. Thomas Gainsborough. In The Thames and Hudson Encyclopedia of British Art, edited by D. Bindman. London: Thames and Hudson, Ltd.
- Brenneman, David. 2006. High Museum of Art's Collections and Exhibition Programs. Atlanta, GA.
- Butlin, Martin. 2001. Aspects of British Painting: 1550-1800. Houston, TX: The Sarah Campbell Blaffer Foundation.
- Cove, Jeffrey. 2006. Curatorial Intent in the High Museum of Art's Skyway Floor. Atlanta, GA.
- Dabrowski, Magdalena. 1995. Vassily Kandinsky. In Masterworks from The Louise Reinhardt Smith Collection, edited by K. Varnedoe. New York: Museum of Modern Art, N.Y.
- Doss, Erika. 2002. Twentieth Century American Art, Oxford History of Art. Oxford, UK: Oxfort University Press.
- Egerton, Judy. 1990. Wright of Derby. London: Tate Gallery.
- Elderfield, John. 2004. The Front Door to Understanding. In Modern Painting and Sculpture: 1880 to the Present at the Museum of Modern Art, edited by J. Elderfield. New York, NY: The Museum of Modern Art, New York.
- Friedlaender, Linda 2005. The YCBA's Permanent Collection Display. New Haven.
- Glueck, Grace. 2000. Art in Review; Charmion von Wiegand, Blanche Lazzell. New York Times, October 20.
- Gombrich, E. H. . 1989. The Age of Reason: England and France, eighteenth century. In The Story of Art. Englewood Cliffs, New Jersey: Prentice-Hall Inc.
- Harvey, Michael. 2008. The Collector's Collector: A tour of the Yale British Art Center's remarkable Mellon collection with curator Angus Trumble. New Haven, May 2008, 48-50.
- Hemingway, Andrew. 1985. Norwich School. In The Thames and Hudson Encyclopedia of British Art, edited by D. Bindman. London: Thames and Hudson, Ltd.
- Herskovic, Marika, ed. 2003. American abstract expressionism of the 1950s : an illustrated survey with artists' statements, artwork, and biographies. Franklin Lakes, New Jersey: New York School Press, 2003.
- Johnson, Jay. 1983. American folk art of the twentieth century. New York: Rizzoli.
- Kantor, Sybil Gordon. 2002. Alfred H. Barr, Jr., and the intellectual origins of the Museum of Modern Art. Cambridge, Mass.: MIT Press.
- Karmel, Pepe, Museum of Modern Art (New York N.Y.), and Kirk Varnedoe, eds. 1999. Jackson Pollock: Interviews, Articles, and Reviews. New York, NY: Museum of Modern Art.
- Larson, Judy L. ed. 1994. American Paintings at the High Museum of Art. Atlanta, GA: Hudson Hills Press, New York (in association with the High Museum of Art).
- Longhauser, Lisa. 1998. Introduction. In Self-taught artists of the 20th century: an American anthology, edited by G. C. Wertkin. New York, NY: Museum of American Folk Art.
- McCaughey, Patrick. 1998. Paul Mellon and the British Imagination. In This Other Eden: Paintings from the Yale Center for British Art, edited by M. Warner and J. M. Alexander. New Haven: Yale University Press.
- Merrill, Linda. 2005. A History of the High Museum of Art. In High Museum of Art: Selected Works from the Collection, edited by L. Cavagnaro. Atlanta: High Museum of Art.
- Meyers, Amy. 2007. About the Center (http://ycba.yale.edu/information/index.html) [Web page]. Yale Center for British Art 2007 [cited March 2007].
- ------. September-December 2005. Reinstallation. New Haven, CT: Yale Center for British Art.
- ------. May-August 2005. Reinstallation of the Permanent Collection. New Haven, CT: Yale Center for British Art
- Trumble, Angus. 2005. YCBA Reinstalls Permanent Collection of Paintings and Sculpture. In Inside / Out - Community weekend program. New Haven, CT.
- ------. 2005. The YCBA's Permanent Collection Display. New Haven, CT.
- Trumble, Angus, and Cassandra Albinson. 2005. The Permanent Collection Reinstallation (gallery map). New Haven, CT: Yale Center for British Art.
- Educational Theory - Narratives
- Bernstein, Basil. 1975. On the classification and framing educational knowledge. In Class, Codes, Control v.2: Applied studies towards a sociology of language. London: Routledge.
- Bordwell, David. 1985. Narration in the fiction film. Madison, Wis.: University of Wisconsin Press.
- Carrier, David. 2006. Art History Narratives. In Museum skepticism : a history of the display of art in public galleries. Durham: Duke University Press.
- ------. 2006. Museum skepticism : a history of the display of art in public galleries. Durham: Duke University Press.
- Casey, Valerie. 2003. The Museum Effect: gazing from object to performance in the contemporary cultural-history museum. In Cultural Institutions and Digital Technology. Ecole de Louvre.
- Cobley, Paul. 2001. Narrative, New critical idiom. London ; New York: Routledge.
- Hein, George E. . 1998. The Constructivist Museum. In Learning in the Museum. London: Routledge.
- Hein, Hilde S. 2000. The museum in transition : a philosophical perspective. Washington [D.C.]: Smithsonian Institution Press.
- Hooper-Greenhill, E. 1992. Museums and the shaping of knowledge. London; New York: Routledge.
- Hooper-Greenhill, E. . 1994. 'Communications Design Team, Royal Ontario Museum,' Spatial Considerations In The Educational Role of the Museum. London U.K.: Routledge.
- ------. 1994. A new communication model for museums. In The Educational Role of the Museum. London U.K.: Routledge.
- ------. 2000. Changing Values in the Art Museum: rethinking communication and learning. International Journal of Heritage Studies 6 (1):9-31.
- Hooper-Greenhill, E. 2000. Museums and the Interpretation of Visual Culture. New York: Routledge.
- James, W. . 1962. Psychology: The briefer course. New York: Collier. Original edition, 1892.
- Lotman, J. M. . 1977. The structure of the narrative text. In Soviet semiotics : an anthology, edited by D. P. Lucid. Baltimore: Johns Hopkins University Press.
- Pradinuk, Ray. 1986. Art Gallery Room Sequences: pedagogic, social, categoric and mnemonic effects, Bartlett School of Architecture, University College London (UCL), London.
- Roberts, Lisa C. . 1997. From knowledge to narrative: educators and the changing museum. Washington, DC: Smithsonian Institution Press.
- Roschelle, J. . 1995. Learning in Interactive Environments: Prior Knowledge and New Experience. In Public Institutions for Personal Learning: Establishing a Research Agenda, edited by J. H. Falk and L. Dierking. Washington, D.C.: American Association of Museums.
- Ryan, Marie-Laure. 1991. Possible worlds, artificial intelligence, and narrative theory. Bloomington: Indiana University Press.
- ------. 2004. Narrative across media : the languages of storytelling, Frontiers of narrative. Lincoln: University of Nebraska Press.
- Yanni, Carla. 1996. Divine Display or Secular Science: Defining Nature at the Natural History Museum in London. The Journal of the Society of Architectural Historians 55 (3):276-299.